This article aims to offer a limited panorama of the novels that compose the genre of Mutiny fiction and to analyse its mutations through time. By tracing the generic origins of the Mutiny novel and analysing how it variously draws on the chivalrous tradition, the Gothic, and other genres (adventure fiction, romance, and melodrama, among others), I would like to show that the various examples of the Mutiny novel genre have often been used to promote imperial values, or to criticise the Empire retrospectively, as Flaminia Nicora’s work has shown, but also that these novels have continuously responded to historical events. My contention is that the Mutiny motif has been instrumental in building a historical narrative of England and that its c...
This thesis is submitted in partial fulfillment of the requirements for the degree of Masters of Art...
War of No Pity: The Indian Mutiny and Victorian Trauma by Christopher Herbert. (Princeton, NJ: Princ...
The article considers two main aspects of literary estrangement in neo-Victorian fiction, starting f...
This essay asks what, if any, import the Indian Mutiny of 1857 had on A Tale of Two Cities (1859),...
The article focuses on the neo-Victorian postcolonial novel and on the late neo-Victorian novel with...
In 1897, Hilda Gregg wrote from the pages of Blackwood’s Magazine that “Of all the great events of t...
Although scholarship has long since established the history novel’s general course, few critical rea...
In this article, I argue that Joseph Conrad’s revision of popular maritime fiction in 'The Nigger of...
This article argues that David Mitchell’s novel "The Thousand Autumns of Jacob de Zoet" (2010) repre...
The historical novel is a major presence in the contemporary literary landscape. Why should this gen...
The article discusses the special genre of "history" in the English literature of the 19th century, ...
The historiography of the Indian mutiny (1857–8) suggests that livelihood classes responded to the e...
Descendants of Waverley examines contemporary novelists\u27 combination of historical authority and ...
The historical novel has been shaped by and was actively involved in the construction of dominant cu...
When its Indian colony revolted in the summer of 1857, England was caught off guard. Largely ignored...
This thesis is submitted in partial fulfillment of the requirements for the degree of Masters of Art...
War of No Pity: The Indian Mutiny and Victorian Trauma by Christopher Herbert. (Princeton, NJ: Princ...
The article considers two main aspects of literary estrangement in neo-Victorian fiction, starting f...
This essay asks what, if any, import the Indian Mutiny of 1857 had on A Tale of Two Cities (1859),...
The article focuses on the neo-Victorian postcolonial novel and on the late neo-Victorian novel with...
In 1897, Hilda Gregg wrote from the pages of Blackwood’s Magazine that “Of all the great events of t...
Although scholarship has long since established the history novel’s general course, few critical rea...
In this article, I argue that Joseph Conrad’s revision of popular maritime fiction in 'The Nigger of...
This article argues that David Mitchell’s novel "The Thousand Autumns of Jacob de Zoet" (2010) repre...
The historical novel is a major presence in the contemporary literary landscape. Why should this gen...
The article discusses the special genre of "history" in the English literature of the 19th century, ...
The historiography of the Indian mutiny (1857–8) suggests that livelihood classes responded to the e...
Descendants of Waverley examines contemporary novelists\u27 combination of historical authority and ...
The historical novel has been shaped by and was actively involved in the construction of dominant cu...
When its Indian colony revolted in the summer of 1857, England was caught off guard. Largely ignored...
This thesis is submitted in partial fulfillment of the requirements for the degree of Masters of Art...
War of No Pity: The Indian Mutiny and Victorian Trauma by Christopher Herbert. (Princeton, NJ: Princ...
The article considers two main aspects of literary estrangement in neo-Victorian fiction, starting f...